Affichage des articles dont le libellé est Npr Live. Afficher tous les articles
Affichage des articles dont le libellé est Npr Live. Afficher tous les articles

mercredi 20 juin 2012

KCRW Presents Esperanza Spalding








Spalding treated the Morning Becomes Eclectic crew to a full-band in-studio performance during a recent visit to Santa Monica. Watch Spalding and company perform "Smile Like That" from Radio Music Society. The entire performance is available on KCRW.com.
Grammy-winning singer and bass player Esperanza Spalding recently led her band, including a large horn section, through a set of jazzy jams in the KCRW studios. Watching her play funky bass lines while singing with incredible range and soul was truly a sight to behold, especially in "Smile Like That.






Esperanza Spalding Tryptique by David Trucotte







samedi 17 mars 2012

Bassist Ron Carter on Piano Jazz with Maria McPartland




Ron Carter first appeared on the national scene as a member of Miles Davis' second great quintet, which coalesced around the recording of Davis' album Seven Steps to Heaven
Carter has also worked with an unbelievable range of giants from inside and outside the world of jazz: from Coleman Hawkins, Chet Baker and Eric Dolphy to Aretha Franklin, Antonio Carlos Jobim and A Tribe Called Quest.
The session gets underway with a duet on "Blues in the Closet," written by bassist Oscar Pettiford. Carter holds down a steady bass line while Marian McPartland swings brightly through a solo; she then comps his bouncing solo with stabbing chords.
"His tunes are fun to play," McPartland says of Pettiford. "They've got a sort of cheerful vibe."
"It's a bass player writing for the instrument," Carter replies. "And anyone can play the tune and have a comfortable experience."
Carter and McPartland continue with a duet on "Stardust." Carter, who started out on cello in the Detroit public schools, brings a unique touch by leading the tune on bass as McPartland accompanies on the piano.
"It didn't sound rushed, and yet you played the whole verse and the whole chorus," McPartland says. "It sounded very romantic.

 

The session continues with a duet on another Oscar Pettiford tune, "Bohemia After Dark." McPartland follows with her solo rendition of Hoagy Carmichael's "New Orleans," which naturally leads in to another duet on the seminal New Orleans tune "Basin Street Blues."
"People put that tune in a certain category," McPartland says. "But it's nice the way you did that — you led me into doing things."
"One of the fun things about being a bass player is you can make those kinds of things happen," Carter says.
Next, McPartland plays another Piano Jazz signature — her solo musical portrait of the program's guest. The portrait she plays for Carter is both lyrical and playful, and evokes the understated beauty of the bass part in jazz.
"When one hears a musical portrait of oneself played so clearly and wonderfully as that you just played — it's a really humbling sound," Carter says. "Thank you very much."
They close with a duet on Miles Davis' iconic "So What," playing at a tempo somewhere between the steady original from the Kind of Blue sessions for Columbia and the breakneck pace of Davis' early-'60s quintet. 


McPartland sums up the tune and this session: "I bet Miles liked it."
Originally recorded June 20, 2006. Originally broadcast in 2007.



Set List


"Blues in the Closet" (Pettiford)


 "Stardust" (Carmichael, Parish)

"Bohemia After Dark" (Pettiford) 

 "New Orleans" (Carmichael) 

"Basin Street Blues" (Spenser) 

"Portrait of Ron Carter" (McPartland) 

"So What" (Davis)









mercredi 2 novembre 2011

Lisa Hannigan : Tiny Desk Concert : Irresistible









When Irish singer Lisa Hannigan came to the NPR Music offices a few weeks ago, she not only brought along with her one of the most gorgeous voices we've heard; she was also one of the warmest guests we've welcomed.

Lisa Hannigan's second album, Passenger, is out now.


Prior to kicking off her solo career, Hannigan made her name performing alongside Damien Rice. She just released her second album, the lush and beautiful Passenger.

Hannigan came to NPR on a rare day in which two different artists were set to perform behind the Tiny Desk, only an hour or so apart. Hannigan and her guitarist, John Smith, arrived early for her set, but rather than leave the office until it was her turn to perform, Hannigan stood quietly in the crowd, watching the first performance and graciously taking it all in.

As soon as her turn to perform arrived, Hannigan hopped up, barely able to contain a smile, onto the stool behind the Tiny Desk and immediately barreled into the bright ukulele tune "Knots" with virtually no sound check or warm-up. Her voice was astonishing as it bounded from hushed fragility to startling power; if I hadn't seen her sitting nearby only moments before, I never would have believed that she could sing like that with so little preparation. It was a mesmerizing performance, with Hannigan alternately whispering and howling her way through her songs, her eyes closed and her body rocking to the music.
When she finished, you could almost hear the whole room sigh with contentment — and a little sadness that it was over.

Set List

"Knots"
"Little Bird"
"Passenger"








Lisa Hannigan: Handcrafted Irish Folk on World Café









April 24, 2009 from WXPN -

After years of enthralling audiences with her ethereal voice, Lisa Hannigan is establishing herself as a solo force. The Irish multi-instrumentalist, actress and singer-songwriter is best known for her long-time collaboration with Damien Rice, having toured with him and sung background vocals on his acclaimed albums. In addition, Hannigan has collaborated extensively with Snow Patrol, The Frames and Herbie Hancock. Hannigan just released Sea Sew, her beautifully lush solo debut, on which she sings of missing friends, love and coffee with a versatile voice and intelligent lyrics. In a session with host David Dye, Hannigan discusses the unusual experience of recording the album in a barn, and reveals her early ambition to be an opera singer.









Set List & Interview Bonus


"Sea Song" 
"An Ocean and a Rock" 
"Venn Diagram"
"I Don't Know"





jeudi 27 octobre 2011

Ben Williams And Sound Effect :Tiny Desk Concert



Ben Williams by Jati Lindsay




He's no Beltway insider. But in a way, jazz bassist Ben Williams owes his career to the politics of Washington, D.C. While growing up in the District, his mother, Bennie Barnes-Williams, worked for U.S. Rep. John Conyers. 
The Democrat from Michigan happens to be a huge jazz fan, as well as a noted advocate for the art form, and when the 6-year-old Ben accompanied his mother to her boss' well-appointed office one day, he stumbled upon a massive, curvaceous, wooden string instrument in the corner.

Fast-forward some 20-odd years, and Ben Williams is a rising jazz star. He won the 2009 Thelonious Monk Competition — held at the Kennedy Center in Washington, D.C. — and (literally) went home to his mother with a recording contract for his debut album. 

State of Art was released this summer, and for a release party, he came down from his New York apartment to play two nights in D.C., stopping by the NPR Music offices in the process.

Williams and his band gave us two songs, both from the new record. 

The second was a calming, meditative ballad called "Dawn of a New Day," with the good manners of cloth on a drum head and tinkling piano. But the first tune — that's where the District comes bubbling up. First, the guitar (Gilad Hekselman) and drums (John Davis) lay down an aggressive, snappy foundation. The bass and electric keyboard (Christian Sands) fill out the polyrhythms. 

That groove, with its snappy hip-hop flavor, feels at home cruising down Georgia Avenue, then turning right on U Street NW, the historic African-American commercial district of Washington. 

Then the saxophone (Marcus Strickland) enters, and it's game on. On the day of our show, Williams' band arrived before he did — he'd come to town a day early to spend time with his family. 
So while Bennie was piloting her son down from Northeast D.C., the other musicians jocularly jammed on J Dilla beats and the saxophone riff from George Michael's "Careless Whisper."
(It was great, actually.) Once Ben Williams arrived, we rushed him upstairs, at which point he tuned up his bass and launched right into that first tune. Not surprisingly, it's called "Home."


Personnel Ben Williams, bass 
Marcus Strickland, saxophones 
Gilad Hekselman, guitar 
Christian Sands, keyboards 
John Davis, drums 


Set List

 

"Home"

"Dawn Of A New Day"






mardi 18 octobre 2011

Musicians:Esperanza Spalding Npr Live & Kyle Johnson Photography
















Set List

« Little Fly »

« Midnight Sun »

« Apple Blossom »

Personnel

Esperanza Spalding (bass and vocals)

Ricardo Vogt (guitar)

Sara Caswell (violin)Lois Martin (viola)


Listen Esperenza Spalding VidéoLinkNprSession/Here Independant Page








samedi 15 octobre 2011

Npr Live Music Norah Jones




Singer,composer and pianist Norah Jones was born on March 30, 1979,in New York City.

But her musical life began in Grapevine,Texas.It was during her time there that she began singing in church choirs and taking piano lessons,even trying out the alto saxophone.

Her earliest influences came from her mother's extensive LP collection and a Dallas oldies station.While listening to her mom's records,Jones fell in love with jazz by way of the Billie Holiday albums she'd play over and over again.

When she was 15,Jones moved to Dallas with her mother.

She became a student at the Booker T. Washington High School for the Performing and Visual Arts.Inspired by an Etta James recording of "I'll Be Seeing You,"she performed her version at age 16 in a local coffeehouse during open-mic night.It was her first solo gig.While in high school,she played with a jazz-rock band and earned her first awards:the 1996 Downbeat Student Music Awards for "Best Jazz Vocalist" and "Best Original Composition."

She won the Downbeat SMA for "Best Jazz Vocalist" again in 1997,and she later majored in jazz piano at the University of North Texas.




Jones' musical life started taking off when she moved to Manhattan in 1999.

She intended to stay in the city for the summer,but found a musical life so rich and appealing that she decided to stay.Later that year, Jones began to appear regularly with a funk-fusion band called Wax Poetic.

By the fall of 2000,she had a group of her own, with which she recorded some demos for Blue Note Records.

Following a live showcase,she signed with the label in January 2001.

Jones first album, Come Away With Me, became a multiple Grammy winner and multi-platinum seller,and it opened the door for her to perform around the world with her band.

Her second album, Feels Like Home, featured such guests as Dolly Parton,drummer Levon Helm and organist/accordionist Garth Hudson of The Band,as well as long-time friends such as guitarists Jesse Harris and Tony Scherr and drummer Brian Blade.

Her third album, Not Too Late,came in 2007 and featured 13 tunes that Jones either wrote or co-wrote.

She also recently made her acting debut in the film My Blueberry Nights and appeared on the soundtrack.

This program is Jones' second appearance on Marian McPartlands Piano Jazz.

It was recorded live at the 2003 Tanglewood Jazz festival with a record-setting audience on hand.



Set List

 


  • "Mean to Me" (Alhert, Turk)

  • "Lover Man" (Davis, Ramirez, Sherman)

  • "Walking My Baby Back Home" (Alhert, Turk)

  • "Spring Can Really Hang You Up the Most"(Landesman, Wolf)

  • "Melancholia" (Ellington with Lyric by N. Jones)

  • "Tenderly" (Gross, Lawrence)

  • "Portrait of Norah Jones" (McPartland)

  • "Summertime" (G. & I. Gershwin, Heyward)

  • "Easy Livin'" (Rainger, Robin)"A Foggy Day in London Town" (G. & I Gershwin)








Independent Page

dimanche 25 septembre 2011

Toots Thielemans Harmonica Session Npr Piano Jazz


Jos Knaepen Photography Toots Thielemans

On this episode of Piano Jazz, harmonica icon Jean "Toots" Thielemans stops by for a session originally broadcast in 2005. To many ears, Thielemans is the first and last name in jazz harmonica. A virtuoso musician by any standard, his chromatic harmonica playing has appeared as a part of countless albums, films and television scores. Here, Thielemans joins host Marian McPartland for a set of standards, including "Stella By Starlight," "Body and Soul" and his own "Bluesette."
Thielemans was born in Brussels, Belgium, in 1922. He began playing the accordion at age 3 and, as a child, often performed for the patrons at his parents' cafe. As a teenager, Thielemans took up the harmonica, and later the guitar.


Harmonica Hohner Mellow Tone&Hard Bopper

Thielemans was born in Brussels, Belgium, in 1922. He began playing the accordion at age 3 and, as a child, often performed for the patrons at his parents' cafe. As a teenager, Thielemans took up the harmonica, and later the guitar.
The Thielemans family fled to France following the German occupation of Belgium in WWII, and it was there that Thielemans first heard big-band jazz. After the war, Thielemans returned to Brussels and began playing Django Reinhardt-inspired guitar in local bars with the likes of Edith Piaf and Stephane Grappelli. With the growing popularity of bebop, he returned to the harmonica and began working out the complex patterns he'd heard in the playing of Charlie Parker and Dizzy Gillespie.
Thielemans got his big break in 1950 when he joined Benny Goodman's band on its European tour. Two years later, he moved to the U.S. and quickly found work alongside groups such as Charlie Parker's All Stars and the George Shearing Quintet. Thielemans worked with Shearing's group for much of the 1950s, while also releasing albums under his own name.


 


Thielemans' biggest hit, "Bluesette," was recorded in 1961. A year later, he recorded "Moon River" for the film Breakfast at Tiffany's, which kicked off a string of successful appearances on film soundtracks such as The Wiz, Funny About Love and Midnight Cowboy. Thielemans' harmonica was also heard in the opening theme song to Sesame Street, and his whistling appeared on a widely recognized Old Spice commercial.
A perennial winner of Downbeat's reader polls and other critics' polls, Thielemans is well regarded by the many diverse musicians with whom he's performed and recorded. He's backed vocalists from Ella Fitzgerald to Natalie Cole to Billy Joel, and has performed with instrumentalists from Bill Evans to Jaco Pastorius to Brazilian guitarist Oscar Castro-Neves. Thielemans also had an unwitting influence on rock 'n' roll: While he was playing a regular gig in Hamburg, Germany, in 1959, John Lennon and George Harrison would often stop by and were taken by Thielemans' use of the short-scale Rickenbacker guitar. Lennon bought one, and its jangly sound became a hallmark of The Beatles' early recordings.
Thielemans was made an NEA Jazz Master in 2009, and that same year he performed at the centennial celebration of the birth of Django Reinhardt. Theilemans continues to record and perform regularly.





Mellow Harmonica Hohner


Link for full discussion&HohnerSound

Set List

  • "Stella by Starlight" (Washington, Young)
  • "Body and Soul" (Green, Heyman, Sour)
  • "Lullaby of Birdland" (Shearing)
  • "Georgia" (Carmichael)
  • "In the Days of Our Love" (McPartland, Lee)
  • "Maybe September" (Evans, Faith, Livingston)
  • "Giant Steps" (Coltrane)
  • "The Nearness of You" (Carmichael, Washington)
  • "Bluesette" (Gimbel, Thielemans)